los angeles photographer

Freelance Photography and Mental Health with Dr. Ali Mattu

In this video I talk with Dr Ali from The Psych Show about Freelance photography and mental health. I truly hope you find this video helpful, whether you're a photographer, creative, someone interested in becoming a freelance photographer, or just curious about mental health. We cover so much in this video including:

-The difficulties of pursuing freelance work.

-What makes you a successful freelance photographer.

-The unique difficulties on your mental health freelancers face.

-How to deal with inconsistency in your lifestyle and your work

-Dealing with the double edged sword of having freedom to do what you want when you want.

-The importance of having a schedule outside of work.

-How to manage a freestyle lifestyle when personal life and professional life blend.

-How to delineate time in the face of hustle culture.

-Finding meaning in your work as a freelance photographer.

-Taking on personal photographic work to find fulfillment when professional work is not enough.

-Staying present on the job.

-How to engage in a flow state.

-Working on your skills as a photographer so that you are always growing.

-The importance of staying connected with your peers when isolated.

-How to avoid burn out as a freelance photographer.

Be sure to check out Dr Ali's channel, The Psych Show. I can not recommend it enough. https://www.youtube.com/user/thepsych...

Anscomark M Film Camera

Anscomark M Film Camera

The Anscomark M is the sturdiest camera I have ever held. "Built like a tank," is one of the most overused expressions when it comes to cameras, but it really does apply here; We are talking WWI era tank to be clear ;) This camera is feature-full from built in selenium light meter, threaded cable release hidden below the shutter button, to it's interchangeable lenses. Unfortunately it can be very hard to find lenses for this camera if you can even find the camera at all. I am looking forward to shooting with this camera and I'm very excited to share my results with you all!

I have been a professional event photographer for 10 years while teaching photography at the same time. Follow the links below to see my work. Instagram | @retrograding https://www.instagram.com/retrograding/ Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com Instagram | @retrograding https://www.instagram.com/retrograding/ Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com

Shooting Detail Shots with a 400mm Lens

I have been a professional event photographer and photography instructor in Los Angeles for 10 years. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

How to Use an External Camera Flash // Part 1: Settings

How to Use an External Camera Flash.

When photographing a wedding, party, or any type of event, You’re not always going to be able to get an exposure with available light. But you’ve probably noticed that on camera flash Well- kind of sucks. Well, It's probably time you upgrade to an external flash

TODAY I'M GOING TO GIVE YOU EVERYTHING YOU NEED TO KNOW TO GET STARTED

Personally when I'm using flash my goal is to make it look as little like flash as possible - and in the future, I’m going to give you some tips and tips on how to do so. But before diving into that, We need to talk about your basic settings and how your flash works. Like your camera, your flash has a manual mode. But without an effective means of metering - it can be impractical when on the move at a wedding, event, or anything requiring you to be on the move TTL which stands for through the lens, however, is essentially your flash's automatic mode. The way it works is when you begin to make an image your flash actively meters the light returning to your camera and cuts off once its output enough light to make a proper exposure. But also, like your cameras priority modes, you can tell your flash to either under or over expose an image by varying stops. Remember, your flash doesn't know what it is photographing so it will always expose for middle gray. In my experience when photographing a bunch of guys wearing black suits I set my flash compensation to -1 When I shot weddings, when photographing a bride with flash, I over exposed by about a stop.

That's pretty much all you need to know about your flashs' settings to get started.... But what do you need to know about your camera settings? Well because your flash is essentially shooting in auto - In order to have full creative control over how your images turn out its best to shoot in manual as your flash will adjust to your cameras settings for an exposure. However, It's important to note that flash exposure is solely determined by its output relative to your aperture and ISO alone. NOT shutter speed.

So in short: Set your aperture as you would normally dependent on your needs and taste and your flash will adjust. Shutter speed, on the other hand, while not having an effect on your flash exposure does have an impact on your ambient light exposure. But details on that will have to wait for another video.

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

Photographing Jamie Lee Curtis

In this episode I photograph a Fund Her event hosted by my friend Adrienne and Jamie Lee Curtis. Fund her supports women candidates for office. Link to their site below!

Check out Fund Her: https://www.fundher.org/

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work.

More videos on YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com

How to Get Good at Photography

 

How to get good at photography. The following are tips I have accumulated from over 10 years experience teaching and shooting professionally.  

1. Always be working on SOMETHING. This can be a technique, a style, it can be shooting in low light. IT DOES NOT MATTER WHAT IT IS. Just always be working on something. Don't get complacent. If you’re going into a job or personal project or just doing some travel photography, go into it thinking to yourself: “WHAT DO I WANT TO WORK ON TODAY”

2. Keep a Journal. This one layers onto the idea of always working on something. My advice: go into a job, a shoot, or project with an idea of what you want to achieve. Afterward journal what worked? What didn't? But this is important: YOU MUST DO THIS WITH KINDNESS. What does this mean? Remove the ego and do not limit yourself to what did not work. Be kind to yourself and ask, what went well and WHY?

3. TAKE A CLASS OR FIND A MENTOR Some people can go it alone but most cannot. It doesn't mean that they're not talented, just that that is not how they learn.

4. LOSE YOUR EGO Try to get honest feedback from your peers and DO NOT rely on social media feedback. I swear to you, my least interesting photos are the ones that get the most likes. The images that perform the best are not necessarily you’re best In the case of instagram the images that are successful are the equivalent of junk food that gives you that blunt sugar salt and fat fix. THERE IS NO SUBTLETY

5. GO OUT AND SHOOT How do you get good at Soccer? You play soccer. How do you get good at photography? You take photos.

Top 5 Event Photography Tips

Advanced Event Photography Tips You've never heard

1.

Pre-select your focal point. Rather than waiting for the viewfinder to reach your eye, consider where the point of focus will be and use your controller to set it. With practice this becomes intuitive.

2.

Shoot with both eyes. While one eye frames the shot, use your other eye to monitor the action. Improves your timing and you’re able to monitor the space while still framing a potential image. This allows you to maximize your coverage when shooting an event.

3.

Read the room. Follow the energy. This is not hocus pocus. Do not overthink it. Follow where you are naturally drawn to. Something is likely about to happen.

4.

Have you learned to follow the energy? Good. Now it's time to predict a smile. The trick is to watch the eyes and anticipate the breaks in your subject's sentences.

5. Time your shot ahead of the peak of action. Your motor skills have a delay. Your camera has a delay, albeit short, from the point in which you press the shutter and it actually makes an image.

event photograph

Venice, CA