Tips

5 Beginner Photography Mistakes from a Los Angeles Photography Instructor

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Beginner Mistakes Photographers Make (5 things)

1. The first mistake people often make is looking at what other photographers are doing.

Note: I am a Los Angeles event photographer, photography instructor, and artist. But this is general advice for anyone just starting out, no matter what you’re photography interests.

First, I want to say that This can actually do some good: Looking at the work of others can be a good way to get inspiration and to raise your standard of what is possible.

So, what’s the problem?

When everyone looks at what other photographers are doing, their work all starts to look the same. This is obviously something you should avoid. Rather, you should find a way to Be authentic: Figure out what you want to say and do it your own way. Find your inspiration where no one else is looking. Do not limit yourself to what your contemporaries are doing.

My recommendation is to Look at the classic masters of photography for inspiration or even completely different genres of art. You might think that the best way to this is by searching online, but the best way to find what you’re looking for is by checking out old books. I recommend hitting your library and used bookstores up. I personally have a secret spot I buy photography books all the time from for as little as 6 dollars

2. The second beginner photography mistake is thinking that gear matters.

If you think better gear will make you a better photographer you’re wrong. If you're thinking ,“I could do this or that that someone else is doing if I just had that lens or whatever, you're making excuses for not shooting. IF ANYTHING limitations make you a better photographer. It forces you to find creative solutions and to work harder.

Back in the day when I had the original Canon 5d, I did not upgrade to the 5dii. I worked with the limitations of the 5d classic and it arguably made me a better photographer. It sucked in low light, so i had to learn clever ways to use my strobes. Its autofocus and burst rate was slow so my timing had to be spot on. By the time the 5diii came out its lowlight performance and focus system was a game changer but to this day I wonder if my timing was better shooting with a 5d original.

The last three examples are all closely related

3. The third mistake photographers make is not respecting the craft.

I’m not just talking about neglecting the technical stuff like shutter speed and aperture. I’m talking about the concepts behind it all so that you’re not memorizing or mimicking set techniques. You should drive toward having a deep understanding of the art form- its past and its historical context.

4. The Fourth mistake people make is not having a photography teacher.

Most people need a teacher. In my experience there are very few who can read a book or watch

youtube and repeat what they’ve learned. I’m not saying you need to go to school or mentor under a photographer, but if you’re not truly able to teach yourself you need a teacher. I did photography all throughout high school and college and to be honest I didn't learn much but at least I had a foundation. Afterward I mostly taught myself, but when I decided to start shooting professionally i didn't have the arrogance to think I knew everything there was to know. Regrettably I started off by shooting weddings as a second shooter and that experience was incredibly valuable. It doesnt matter where you get your education from but if you can't be self taught you need a teacher.

5. The Fifth mistake photographers make is lacking life experience.

Without life experience, it can be difficult to make meaningful art.

So:

Go live your life.

Get inspired AND NOT BY LOOKING AT OTHER PEOPLE'S WORK.

Find your voice

Go on a journey! And most importantly...

Introspect!

See how I have applied these lessons by clicking below.


Building a Photography Kit- Advice for Noobs. Advice from an Event Photographer in Los Angeles

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In this video I talk about building a photography kit for event photography. I am coming from the perspective of a Los Angeles event photographer, but really this advice would work for a lot of different working professionals, from wedding photographers to sports photographers.

The gist of it is that the first and most important thing is to cover a wide range of focal lengths. This can be done with a 24-70 and a 70-200. Of course, f 2.8 variants are preferred, but you can get by with f4. When starting out, I recommend getting what fits your budget and upgrading down the line.

I also discuss getting “sexier” gear once you have your bases covered. This will allow you to get more creative with the look of your work.

I have been a professional event photographer in Los Angeles for 10 years while teaching photography at the same time. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

Advanced Event Photography Tips You've Never Heard

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Below are 5 of my most advanced event photography tips. I have developed these tips and methods for over 10 years, shooting events in Los Angeles. I hope they help you on your own journey as an event photographer.


#1 Pre-select your focal point for a faster shooting experience at events.

Use your focus point controller to pre-select where your point of focus will be prior to the viewfinder reaching your eye. Keep in mind that this will require you to first develop the ability to first pre-visualize your composition prior to looking through your viewfinder. With practice this becomes intuitive. I learned this tips through repetition, after shooting hundreds of events in Los Angeles. With time, you will find yourself automatically adjusting your focus point while lifting the camera to your eye.

Although Prime lenses can be seen as less versatile for event photography, their set field of view actually makes pre-visualizing your composition easier. In time, prime lenses can be used nearly as effectively as zoom lenses. With practice you will intuitively know how many steps forward or backward you need to take in order to match the pre-visualized image in your head, all while having their own unique benefits such as reduced weight, faster apertures, and of course that guaranteed field of view already discussed.

Update:

New technology seen in mirrorless cameras may outdate this method of shooting. As face and eye detect technology improve, setting your focus point may in part become a thing of the past.


#2 Shoot with both eyes for maximum event photography coverage.


While one eye frames your shot, use your other eye to monitor the action.
Doing so improves your timing as you’re no longer viewing what’s in front of you through the tunnel of your viewfinder. Additionally you are able to monitor the space for other potential images. This will help maximize your coverage of an event. Remember, when it comes to event photography, your goal should always be to provide more coverage, not more images for the sake of more images.

Update:

Again, this is another way of shooting that may be upended by mirrorless cameras: at this time my experience with shooting on a mirrorless camera at events is not thorough enough to make a conclusion, but I am personally concerned with how seeing reality with one eye and a digital screen with the other may make for a disjointed shooting experience.


#3 Read the room to capture more moments.


Follow the energy. This is not hocus-pocus, woo woo stuff. Do not overthink it. Follow the energy for more interesting candids.

You will find that when you are truly present: when all your senses are in tune with the chorus of noise, movement, and things we are never even conscious of, that you will find yourself moving toward where the action at an event really is… sometimes seemingly before it even happens.

A note:

When photographing an event, following the energy, and focussing on the moments, you will find that you may naturally end up with more photographs of some people than others. This is normal; some people are just the life of the party. However, it is a good idea to balance this out by trying to “even out” your coverage by doing a once over of a location here and there and just try to get a shot of every individual you may have missed.

#4 Predict smiles

Have you learned to follow the energy? Good. Now it's time to predict a smile. Following the energy will get you where you need to go, but as an event photographer, you need to be able to capture the emotional highs and defining moments of an event. One way I do this is by predicting smiles.


When someone is about to smile, you can first see it in their eyes. At events, people are usually too busy talking to smile, but in between sentences they will smile to connect with the person they are talking to. This is the moment I am waiting for and I know it’s coming by watching my subjects eyes.


#5 Time Your shot ahead of the peak of action.

Your motor skills has a delay. Your camera has a delay from the moment you press the shutter button and the moment it makes an image, albeit small. Experiment with timing your image just before the peak of action to counteract that delay. I have found that with practice that I only need one shot to do this. Shooting in continuous can in theory guarantee you capture a moment, but I have found it has made me less in tune with moment at hand and when I stay focussed and time my shot perfectly, I am able to guarantee I capture the moment better than holding onto my shutter and hoping for the best. Also, I really don’t like the process of editing down my event photography coverage when I have overshot. It is more time consuming and delivering files quickly has become increasingly important when it comes to event photography.

My event photography tips conclusion

Connecting the dots, you can see how all of these tips are used in unison:

By staying present, reading the room, and following the energy, I am able to gravitate toward areas of an event in which lots of action is going to happen. By reading people’s eyes, I am able to predict who is about to smile and pre visualize my shot as I move into position, all while pre selecting my autofocus point before the camera hits my eye. By shooting with two eyes open, I am able to time my shot and already know where my next shot is going to be… then I repeat.

I spend a lot of time thinking about how I can improve my event photography. It is important to me to always stay engaged with my craft and never settle. This has allowed me to constantly improve at event photography and I hope my tips help you on your own journey.

UPDATE:

Since writing this blog post, I made a new video talking about how I use my tips together, in concert as an event photographer. Check the video out below.


How to Improve Your Photography with Five Tips.

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The following photography tips are based on experience I have accumulated from over 10 years of teaching photography and shooting as a professional event photographer in Los Angeles.

1. Always be Working on SOMETHING Whether You’re a Professional Photographer or an Amateur.

This can be a technique, a style, it can be shooting in low light. IT DOES NOT MATTER WHAT IT IS; Just always be working on something. Don't get complacent. If you’re going into a job or personal project or just doing some travel photography, go into it asking yourself: “WHAT DO I WANT TO WORK ON TODAY?” I do this in both my professional work photographing events and in my personal work as well. Recently, I have been challenging myself to shooting more film portraits while professionally photographing events. Living in Los Angeles has afforded me the opportunity to photograph both celebrities and politicians with my film cameras. Asking politicians and celebrities I work with to shoot their formal portraits has pushed me out of my comfort zone and forced me to work calm and quickly. Can you imagine what it was like to ask Nancy Pelosi, the person third in line to become president, to sit for me to photograph her with a vintage Rolleiflex? Not only have I grown as a photographer through this endeavor, and those like it, but the challenge has been thrilling.

2. Keep a Photography Journal.

This one layers onto the idea of always working on something. My advice: go into a job, a shoot, or project with an idea of what you want to achieve. Afterward, journal your experience- and this is important: YOU MUST DO THIS WITH KINDNESS. What does this mean? Remove your ego and do not limit yourself to what did not work. Be kind to yourself and ask, what went well and WHY? As for what went wrong, do your best to address it with in a dispassionate way.

3. Take a Class and Find a Mentor.

Everyone learns in a different way. Some people can go it alone but most cannot. It doesn't mean that they're not talented, just that that is not how they learn. A class (hopefully with hands on experience) will give structure to your learning process. Additionally it will provide you with some community.

If you’re interested in taking affordable photography classes in Los Angeles by an experienced event photographer, be sure to check out Barnsdall Art Center.

If you are learning to be a professional photographer, then the best way to learn is from a seasoned professional. Personally, I have trained several event photographers that have gone on to be excellent event photographers in their own right.

4. LOSE YOUR EGO and Get Some Feedback on Your Photography.

Try to get honest feedback from your peers and DO NOT rely on social media feedback. I swear to you, my least interesting photos are the ones that get the most likes. The images that perform the best are not necessarily your best. In the case of Instagram the images that are successful are the equivalent of junk food that gives you that blunt sugar, salt and fat fix. Good photograph is often layered and complex- not something to be observed long enough if takes to swipe.

5. GO OUT and Make Images!

How do you get good at guitar? You play guitar. How do you get good at photography? You take photos, lots of photos. Like anything, you need to practice if you expect to improve at photography. Hands on experience, in my opinion, goes so much further than anything else you do to improve your work. Yes, theory, art history, instructional videos, and such will all help you improve; But the hands on experience of making photographs is the glue that binds them together. I say this both out of common sense, but also from my experience as a photography instructor. Time and time again, it is my hands on workshops that my students say they benefit from the most.