Getting Started as a Second Photographer
The first challenge for anyone looking to become a professional photographer is developing a portfolio. As I discuss in my complete event photography guide, you need a photography portfolio to get work but you need work to build a photography portfolio.
You do not need to work for free in order to build a portfolio. Rather, my advice is to build your portfolio around the things you are already doing in your life. An event can be just about anything including: street fairs, festivals, music events, birthday parties, etc. But although this will help you build a portfolio, second shooting has its own benefits.
How I Got Started as a Second Shooter
When I first moved back to Los Angeles and decided to make my passion my profession, I was faced with the common dilemma of not having the portfolio I needed to start doing professional work while needing to do professional work in order to build that portfolio. Most of my time during and after college was spent making fine art photography. I was confident in my knowledge of photography, but knew better than to be presumptuous and assume that it would 100% equip me for professional work. In fact I was already teaching photography, so I knew my stuff. When I decided to pursue professional work, the photography market was not as over saturated as it is today. I knew wedding photography was an easy field to get into, so I decided to pursue it. I knew that the best way to learn was by doing and I wanted to learn the trade from someone with experience. But to even second shoot, I knew I needed a portfolio. So what did I do? I shot a wedding for just about free. No joke, I think I charged about $180 just to cover my rentals- I didn’t even have all the gear I needed yet! But that one wedding I essentially shot for free landed me a second shooting job with the largest wedding studio in Los Angeles at the time. It was my big break in what was quite honestly a very difficult time for anyone: It was 2008 in the height of the great recession.
How Did I Make that Happen?
I’ll be the first to admit I am not a very organized person. But I was serious about pursuing a career as a photographer. So what I did, was make an excel sheet of every wedding photographer In Los Angeles that I could find. In it, I included the name of the studio, the name of the contact person, their contact info, and any notes I had on them. I then proceeded to email each of them and follow up with a phone call. Sadly, very few called me back and pretty much none of them were looking to even hire an assistant. However, a couple of them referred me to the studio that had the largest segment of the market at the time. So I gave them a call thinking that they would of course blow me off. Strikingly, the next day I got a call! I set an interview, showed up in a suit, shared my limited wedding portfolio, and was hired on the spot! I remember them telling me something like, “well, we have like 100 people interested in a job with us, but you seem good to us.” Not only did they bring me on on the spot, but it was as a second shooter, not an assistant!
How to Be a Good Second Shooter
First off, it needs to be said that what it takes to be a good second shooter will largely depend on the needs of the primary photographer. This is something that should be discussed between the two of you. Additionally, through the experience of working together, you will naturally figure out what their needs and expectation. Hopefully in time, the two of you will work cohesively with little direction. When I first started out second shooting weddings in Los Angeles, I mostly worked with one person. After a while I just knew what he wanted from me: the perspectives he wanted covered, the types of shots he needed, etc. We were in sync and I didn’t need any direction. So although needs will vary, the following information should be universal.
Remember That You Represent The Primary Photographer
When second shooting you are representing the studio of the primary photographer. Be sure to carry their business card and conduct yourself in a professional manner. In just about no circumstance should you ever share your own card. Even if you are giving someone your card for something unrelated to photography, I recommend just steering clear of it all together. It is best to just avoid any confusion.
What is a Second Photographer’s Job?
In the early days of digital photography, cameras were only equipped with one memory card. This of course put the primary photographer at a lot of risk of losing a day of work. In part, as a second photographer shooting weddings, my job was essentially to have a backup of the day. This was also a bit of a hold over from the film days in which you could lose an entire roll from user error to a mistake at the lab.
What Should a Second Photographer Focus On
What a second shooter should focus on will depend entirely on the needs of the primary photographer. This can also vary case by case. Lets talk about some examples:
Wedding Photography
At a wedding a second photographer’s job is often to capture alternate perspectives that a primary photographer just can’t. No matter how fast you can run, you can not be in two places at once and there are some specific examples in which you will need to be. One such example is during a first kiss. When I started out as a second photographer shooting weddings in Los Angeles, during the first kiss, I was always instructed to get over the shoulder shots of the groom, while the main photographer focussed on shots of the bride. Afterward, I was freed up to do more creative stuff.
During the cocktail hour, I was always instructed (eventually it didn’t need to be said) to photograph groups of people (crowd work), while the primary photographer photographed the reception room and detail shots.
When the primary photographer is shooting formals, a common task given to a second photographer can be to shoot candids of individuals in formal groups. These are often shot at a 45 degree angle from them, NOT over the shoulder of the main photographer. You should never be shooting over the shoulder of the main wedding photographer. This can cause confusion over which camera to look at and why would their client need multiples of the same shot only slightly inferior?
Event Photography
As a Los Angeles event photographer, there are times I hire second photographers. However, unlike at a wedding, their job is typically to cover what I am unable to. This can be due to multiple conferences happening at once and that sort of thing.
Large jobs can also call for a second photographer just to add extra coverage. Typically this is the case for events larger than 400 people.
Miscellaneous Tips on Second Shooting
When it comes to usage rights, be sure to have that discussion with the photographer you’re working for. Usually it is understood that you are in part second shooting for experience and to build a portfolio, but do not assume anything!
Always carry the business card of the photographer you’re working with and never give out your own. Even if it is for something unrelated to photography, you do not want any misunderstandings. You represent the main shooter, side dealing is not ok.
This may seem harmless, but it’s not a good idea to show the client the back of your camera to see an image. For all you know, for whatever reason, the main photographer might decide not to deliver that image to the client. This will lead to difficult questions from the client. They may even begin to wonder how many other images they chose not to share and open a whole can of worms. I know it is hard to say no to someone asking to see an image, but there are many polite and reasonable tactics you can use to avoid it.
Conclusions on Being a Second Photographer
I really hope the video at the top of this article as well as this write up gives you an idea of why you should second shoot, but gives you some general advice on how to go about doing so.
For me, second shooting at weddings in Los Angeles was an invaluable learning experience on top of being a great way to build a portfolio. I strongly encourage all beginner photographers to do so!
