photography tips

5 Beginner Photography Mistakes from a Los Angeles Photography Instructor

Beginner Mistakes Photographers Make (5 things)

1. The first mistake people often make is looking at what other photographers are doing.

Note: I am a Los Angeles event photographer, photography instructor, and artist. But this is general advice for anyone just starting out, no matter what you’re photography interests.

First, I want to say that This can actually do some good: Looking at the work of others can be a good way to get inspiration and to raise your standard of what is possible.

So, what’s the problem?

When everyone looks at what other photographers are doing, their work all starts to look the same. This is obviously something you should avoid. Rather, you should find a way to Be authentic: Figure out what you want to say and do it your own way. Find your inspiration where no one else is looking. Do not limit yourself to what your contemporaries are doing.

My recommendation is to Look at the classic masters of photography for inspiration or even completely different genres of art. You might think that the best way to this is by searching online, but the best way to find what you’re looking for is by checking out old books. I recommend hitting your library and used bookstores up. I personally have a secret spot I buy photography books all the time from for as little as 6 dollars

2. The second beginner photography mistake is thinking that gear matters.

If you think better gear will make you a better photographer you’re wrong. If you're thinking ,“I could do this or that that someone else is doing if I just had that lens or whatever, you're making excuses for not shooting. IF ANYTHING limitations make you a better photographer. It forces you to find creative solutions and to work harder.

Back in the day when I had the original Canon 5d, I did not upgrade to the 5dii. I worked with the limitations of the 5d classic and it arguably made me a better photographer. It sucked in low light, so i had to learn clever ways to use my strobes. Its autofocus and burst rate was slow so my timing had to be spot on. By the time the 5diii came out its lowlight performance and focus system was a game changer but to this day I wonder if my timing was better shooting with a 5d original.

The last three examples are all closely related

3. The third mistake photographers make is not respecting the craft.

I’m not just talking about neglecting the technical stuff like shutter speed and aperture. I’m talking about the concepts behind it all so that you’re not memorizing or mimicking set techniques. You should drive toward having a deep understanding of the art form- its past and its historical context.

4. The Fourth mistake people make is not having a photography teacher.

Most people need a teacher. In my experience there are very few who can read a book or watch

youtube and repeat what they’ve learned. I’m not saying you need to go to school or mentor under a photographer, but if you’re not truly able to teach yourself you need a teacher. I did photography all throughout high school and college and to be honest I didn't learn much but at least I had a foundation. Afterward I mostly taught myself, but when I decided to start shooting professionally i didn't have the arrogance to think I knew everything there was to know. Regrettably I started off by shooting weddings as a second shooter and that experience was incredibly valuable. It doesnt matter where you get your education from but if you can't be self taught you need a teacher.

5. The Fifth mistake photographers make is lacking life experience.

Without life experience, it can be difficult to make meaningful art.

So:

Go live your life.

Get inspired AND NOT BY LOOKING AT OTHER PEOPLE'S WORK.

Find your voice

Go on a journey! And most importantly...

Introspect!

See how I have applied these lessons by clicking below.


Watch This if You Want to Take Great Photographs

Read This if You Want to Take Great Photographs

I can not over recommend Read This if You Want to Take Great Photographs by Henry Carrol. I have not found another book on photography with more concise and easy to understand explanations. I think this is a great book for beginners but also a terrific reference book for advanced photographers and photography instructors. Topics discussed include the following: Composition: leading lines landscape or portrait framing foreground interest getting close symmetry the rule of thirds working the frame visual weight breaking the rules Exposure: modes program mode shutter speed and shutter speed priority slow shutter speeds slow shutter speeds at night fast shutter speeds aperture and aperture priority shallow depth of field deep depth of field ISO manual photography exposure compensation AND MUCH MUCH MORE!

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How to Use an External Camera Flash // Part 1: Settings

How to Use an External Camera Flash.

When photographing a wedding, party, or any type of event, You’re not always going to be able to get an exposure with available light. But you’ve probably noticed that on camera flash, well, kind of sucks. It's probably time you upgrade to an external flash.

TODAY I'M GOING TO GIVE YOU EVERYTHING YOU NEED TO KNOW TO GET STARTED USING AN EXTERNAL CAMERA FLASH.

Personally, when I'm using flash my goal is to make it look as little like flash as possible - and in the future, I’m going to give you some tips and tips on how to do so. But before diving into that, We need to talk about your basic settings and how your flash works. Like your camera, your flash has a manual mode. But without an effective means of metering - it can be impractical when on the move at a wedding, event, or anything requiring you to be on the move. TTL which stands for through the lens, however, is essentially your flash's automatic mode. The way it works is when you begin to make an image your flash actively meters the light returning to your camera and cuts off once its output enough light to make a proper exposure. But also, like your cameras priority modes, you can tell your flash to either under or over expose an image by varying stops. Remember, your flash doesn't know what it is photographing so it will always expose for middle gray. In my experience when photographing a bunch of guys wearing black suits I set my flash compensation to -1 When I shot weddings, when photographing a bride with flash, I over exposed by about a stop.

That's pretty much all you need to know about your flash's settings to get started.... But what do you need to know about your camera settings? Well because your flash is essentially shooting in auto - In order to have full creative control over how your images turn out its best to shoot in manual as your flash will adjust to your cameras settings for an exposure. However, It's important to note that flash exposure is solely determined by its output relative to your aperture and ISO alone. NOT shutter speed.

So in short: Set your aperture as you would normally dependent on your needs and taste and your flash will adjust. Shutter speed, on the other hand, while not having an effect on your flash exposure does have an impact on your ambient light exposure. But details on that will have to wait for another video.

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

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5 Tips for getting Into Film Photography

Today I have Five tips for those of you just getting into film photography!

5 tips for getting into film photography

 

#1 Understand your fundamentals.

Contrary to what many say, (specifically people who have never taught a photography class) I recommend you understand your photography fundamentals FIRST, before attempting to shoot in manual. Yes, an all manual film camera distills photography down to the basics, but if you’re just learning, not being able to see instant results, will slow the process of learning down, as you will not be able to immediately correct for mistakes. And that's not to mention that by the time you see your work, you may forget what your settings and lighting conditions were. If you still want to jump right in, I recommend you get either a point and shoot or any camera with an auto feature. DO NOT LISTEN to people saying you learn best on a manual camera. That sounds good on paper, but in practice getting a blank roll back is a huge disappointment and very off putting. You want to be able to get excited about the process, and the best way to do that is to go out and shoot and not feel bogged down by settings or frustrated by blank rolls. Get passionate about photography first, the technical stuff can come later.

#2 Start with Black and White Film.

Maybe you’ve heard that black and white is more pure and all that- and that may be true. But if you’re just starting out I recommend shooting black and white because you have a greater leeway when it comes to properly exposing your image. Color requires you to be much more precise, so there is more room for error. And while on the topic of Film...

#3 Start with ISO 400 Speed Film.

400 speed film will give you good amount of flexibility in getting a proper exposure in varying lighting conditions. Sure, it's technically not as “sharp” as a slow speed film, but if you want perfect, you may as well shoot digital.

#4 When in Doubt, Over Expose.

Film photography is better at preserving the highlights and... When exposing film it’s better to have too much information than too little. Ideally, you will nail your exposure, but when in doubt, its always better to over expose than under expose.

#5 Take Your Time and Enjoy the Process.

One of the many reasons to shoot film is because of how enjoyable the hands on process can be and it’s ability to put you in the moment. Never forget that and have fun!

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Advanced Event Photography Tips You've Never Heard


Below are 5 of my most advanced event photography tips. I have developed these tips and methods for over 10 years, shooting events in Los Angeles. I hope they help you on your own journey as an event photographer.


#1 Pre-select your focal point for a faster shooting experience at events.

Use your focus point controller to pre-select where your point of focus will be prior to the viewfinder reaching your eye. Keep in mind that this will require you to first develop the ability to first pre-visualize your composition prior to looking through your viewfinder. With practice this becomes intuitive. I learned this tips through repetition, after shooting hundreds of events in Los Angeles. With time, you will find yourself automatically adjusting your focus point while lifting the camera to your eye.

Although Prime lenses can be seen as less versatile for event photography, their set field of view actually makes pre-visualizing your composition easier. In time, prime lenses can be used nearly as effectively as zoom lenses. With practice you will intuitively know how many steps forward or backward you need to take in order to match the pre-visualized image in your head, all while having their own unique benefits such as reduced weight, faster apertures, and of course that guaranteed field of view already discussed.

Update:

New technology seen in mirrorless cameras may outdate this method of shooting. As face and eye detect technology improve, setting your focus point may in part become a thing of the past.


#2 Shoot with both eyes for maximum event photography coverage.


While one eye frames your shot, use your other eye to monitor the action.
Doing so improves your timing as you’re no longer viewing what’s in front of you through the tunnel of your viewfinder. Additionally you are able to monitor the space for other potential images. This will help maximize your coverage of an event. Remember, when it comes to event photography, your goal should always be to provide more coverage, not more images for the sake of more images.

Update:

Again, this is another way of shooting that may be upended by mirrorless cameras: at this time my experience with shooting on a mirrorless camera at events is not thorough enough to make a conclusion, but I am personally concerned with how seeing reality with one eye and a digital screen with the other may make for a disjointed shooting experience.


#3 Read the room to capture more moments.


Follow the energy. This is not hocus-pocus, woo woo stuff. Do not overthink it. Follow the energy for more interesting candids.

You will find that when you are truly present: when all your senses are in tune with the chorus of noise, movement, and things we are never even conscious of, that you will find yourself moving toward where the action at an event really is… sometimes seemingly before it even happens.

A note:

When photographing an event, following the energy, and focussing on the moments, you will find that you may naturally end up with more photographs of some people than others. This is normal; some people are just the life of the party. However, it is a good idea to balance this out by trying to “even out” your coverage by doing a once over of a location here and there and just try to get a shot of every individual you may have missed.

#4 Predict smiles

Have you learned to follow the energy? Good. Now it's time to predict a smile. Following the energy will get you where you need to go, but as an event photographer, you need to be able to capture the emotional highs and defining moments of an event. One way I do this is by predicting smiles.


When someone is about to smile, you can first see it in their eyes. At events, people are usually too busy talking to smile, but in between sentences they will smile to connect with the person they are talking to. This is the moment I am waiting for and I know it’s coming by watching my subjects eyes.


#5 Time Your shot ahead of the peak of action.

Your motor skills has a delay. Your camera has a delay from the moment you press the shutter button and the moment it makes an image, albeit small. Experiment with timing your image just before the peak of action to counteract that delay. I have found that with practice that I only need one shot to do this. Shooting in continuous can in theory guarantee you capture a moment, but I have found it has made me less in tune with moment at hand and when I stay focussed and time my shot perfectly, I am able to guarantee I capture the moment better than holding onto my shutter and hoping for the best. Also, I really don’t like the process of editing down my event photography coverage when I have overshot. It is more time consuming and delivering files quickly has become increasingly important when it comes to event photography.

My event photography tips conclusion

Connecting the dots, you can see how all of these tips are used in unison:

By staying present, reading the room, and following the energy, I am able to gravitate toward areas of an event in which lots of action is going to happen. By reading people’s eyes, I am able to predict who is about to smile and pre visualize my shot as I move into position, all while pre selecting my autofocus point before the camera hits my eye. By shooting with two eyes open, I am able to time my shot and already know where my next shot is going to be… then I repeat.

I spend a lot of time thinking about how I can improve my event photography. It is important to me to always stay engaged with my craft and never settle. This has allowed me to constantly improve at event photography and I hope my tips help you on your own journey.

UPDATE:

Since writing this blog post, I made a new video talking about how I use my tips together, in concert as an event photographer. Check the video out below.