event photography

Why I Shoot Film

Why I Shoot Film

There are a lot of reasons to shoot film, many of which I am sure you've heard. But this video is about why I shoot film. It all comes down to this: I shoot film as a reaction to the over perfected and curated images everywhere we turn. So what is it about film that counters that?

1. the implicit understanding that an iconic moment or any decisive moment came down to the photographer's timing. When you know the photographer used a camera with a 30 frame per second burst, images can feel less significant.

2. Imperfection. Back in college I wanted my film photographs to be perfect. But it made sense back then: film was your only option for the most part of making an image. But now that that has changed, I like my film work to have some imperfection at times.

I have been a professional event photographer in Los Angeles for 10 years. I also teach photography at Barnsdall Art Center. Follow the links below to see my work.

Instagram | @retrograding https://www.instagram.com/retrograding/ Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com Instagram | @retrograding https://www.instagram.com/retrograding/ Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com

My New Favorite Black and White Film

AGFA APX 25

AGFA APX 25 is my new favorite film! Will I use it often? Probably not. Since it's been discontinued for some time now, I am going to cherish what I have left. Although the results when developed in Diafine were unremarkable, this film truly shines in Rodinal. Personally, this is the finest grained film with the best tonal range of anything I have shot so far. Let me know your thoughts! I have been a professional event photographer in Los Angeles for 10 years while teaching photography at the same time.

Follow the links below to see my work.

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com

How to Use an External Camera Flash // Part 2

Part Two of How to Use an External Camera Flash

In this video I focus on how to properly use modifiers and bounce your flash for more pleasing results.

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

Photographing Jamie Lee Curtis

In this episode I photograph a Fund Her event hosted by my friend Adrienne and Jamie Lee Curtis. Fund her supports women candidates for office. Link to their site below!

Check out Fund Her: https://www.fundher.org/

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work.

More videos on YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/ www.mikmilman.com

Avoid Photography Burnout!

When you shoot as many events as I do, it is important to develop strategies to prevent burn out. In this video I share a few.

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

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Building a Photography Kit- Advice for Noobs

I have been a professional event photographer in Los Angeles for 10 years while teaching photography at the same time. Follow the links below to see my work and be sure to subscribe to my channel on Youtube for more videos

YOUTUBE

Instagram | @retrograding https://www.instagram.com/retrograding/

Facebook | https://www.facebook.com/mikmilman/

www.mikmilman.com

How to Shoot Candids at an Event

Here are just a few of my tips on how to shoot candids at an event. I have many more, but here are a few I have not seen mentioned on Youtube. So much more goes into the making of a great photographer than what we typically categorize as technique. Photography should be a full body experience. The way we move goes beyond not being noticed. How we move also effects our readiness to capture pivotal shots. Today I am sharing just a few of my tips on how to capture amazing candids including: Moving deliberately and slowly, how to hold your camera in order to be more responsive, predicting smiles and making photographs in between sentences, listening for the pause in a sentence, and more. Pay attention to how you move! The more relaxed you are the readier you are to capture a moment.

I have been a professional photography work for 10 years while teaching photography at the same time. Follow the links below to see my work. Instagram | @retrograding https://www.instagram.com/retrograding/ Facebook | https://www.facebook.com/mikmilman/

Advanced Event Photography Tips You've Never Heard

 

Advanced Event Photography Tips You've Never Heard

Pre-select your focal point

Rather than waiting for the viewfinder to reach your eye, consider where the point of focus will be and use your camera’s focus point controller to set it. Keep in mind, this will require you to develop the vision required to conceive your composition prior to seeing what you will see in you viewfinder. With practice this becomes intuitive. You will find yourself automatically adjusting your focus point.

Shoot with both eyes

performer at adobe max


While one eye frames your shot, use your other eye to monitor the action.
Doing so improves your timing as you’re no longer viewing what’s in front of you through the tunnel of your viewfinder. Additionally you are able to monitor the space for other potential images.

Read the room

happy skaters


Follow the energy. This is not hocus pocus. Do not overthink it. Follow the energy for more interesting candids.

Predict smiles

smiling skater

Have you learned to follow the energy? Good. Now it's time to predict a smile.
watch the eyes and anticipate the pause

Time your shot ahead of the peak of action

Your motor skills has a delay. Your camera has a delay from the moment you press the shutter button and the moment it makes an image, albeit small. Experiment with timing your image just before the peak of action to counteract that delay.
 

Nick Offerman at Adobe Max